#Julia ducournau film movie#
#Julia ducournau film free#

The debut film from celebrated writer/director (and now Palme d’Or winner) Julia Ducournau, the auteur exhibits her trademark energy and style in emotionally capturing a unique coming-of-age story in a fun and engaging way. A tomboy, accustomed to exclusively male company, and who does not hesitate to affect a bit of misogyny in order to fit in, Justine could not have foreseen what her body is about to go through in this film that brilliantly marries body horror and dark humor. Verso: London.When Justine, aka “Junior”, has to stay home because of the stomach flu, she experiences a rebellion of her body. (2017) Raw 2017: Horror in the eyes of women. (2014) What About Me? The Struggle for Identity in a Market-Based Society. (2016) Capitalist discourse, subjectivity and Lacanian psychoanalysis. (2012) The Big Screen: The Story of the Movies and What They Did to Us.

(2019) Cryogenic freezing wants to be technology’s ‘holy grail’ in the fight against dying.

#Julia ducournau film free#

(2016) Capitalism and Desire: The Psychic Cost of Free Markets. Albany, NY: State University of New York Press. (2004) The Ends of Dissatisfaction: Jacques Lacan and the Emerging Society of Enjoyment.

(2015) Anxiety, the Seminar of Jacques Lacan, Book X. (2006b) The signification of the phallus. (2006a) The mirror-stage as formative of the I function as revealed in psychoanalytic experience. (1999) The Ethics of Psychoanalysis, the Seminar of Jacques Lacan, Book VII. (1998) Book XX: Encore: On Feminine Sexuality, The Limits of Love and Knowledge, the Seminar of Jacques Lacan, Book XX. (1991/2007) The Other Side of Psychoanalysis, the Seminar of Jacques Lacan, Book XVII. Originally published in Lacan in Italia 1953–78 (1978). (1938) The family complexes in the formation of the individual. (2017) Raw director Julia Ducournau: ‘Cannibalism is part of humanity’. (1921/2001) Group Psychology and the Analysis of the Ego. (1914/2001) On narcissism: an introduction. (1905/2001) Three Essays on the Theory of Sexuality. Grigg (eds.) Jacques Lacan and the Other Side of Psychoanalysis: Reflections on Seminar XVII. (2007) More thoughts for the times on war and death: The discourse on capitalism in seminar XVII. Winchester, UK: O Books.įlower McCannell, J.

#Julia ducournau film movie#

(2017) ‘Raw’ review: Cannibal coming of age movie is a modern horror masterpiece. (2005) Baby bitches from hell: Monstrous little women in film. Pavón-Cuéller (eds.) Lacan, Discourse, Event: New Psychoanalytic Approaches to Textual Indeterminacy. (2014) The discourse of the markets or the discourse of psychoanalysis: A forced choice. Cambridge, UK: Polity Press.īraunstein, N. (2007) Liquid Times: Living in an Age of Uncertainty. (2017) A French cannibal horror film has a surprisingly feminist message. Using Lacanian discourse theory, and specifically Lacan’s fifth discourse on capitalism, I assess the film’s gloomy meditation on the dehumanizing, anti-social, and dissatisfying nature of hypermodernity with its imperatives to enjoy a seemingly endless supply of object-commodities, and explore what the film articulates about contemporary modes of dealing with jouissance and the implications for the woman subject.Īdams, P. “Non-rapport” is Lacan’s term for the real, non-representable gap at the heart of sexual relationships and is what causes discourses which delimit social bonds and modes of enjoyment ( jouissance). This paper assesses the themes of spectatorship, consumption, womanhood, sublimation, jouissance, and sexual non-rapport elicited by the film. The film is an unsettling account of a young woman whose subjective emergence into cannibalism occurs in a sadistic world of “Dionysian excess” at university. The French film Raw (2016), written and directed by Julia Ducournau, has received critical acclaim as a contemporary female coming-of-age horror film with feminist and critically reflective leanings.